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Gerald Jenkins / Photographer

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‘Black Vine’ 1995

‘Black Vine’ 1995

Bangarra Dance Theatre

November 04, 2004
Djakapurra Munyarryun ‘Black Vine’ performance Sydney Town Hall 1995

Djakapurra Munyarryun ‘Black Vine’ performance Sydney Town Hall 1995

In 1995 Bangarra Dance Theatre were given a grant to produce a book about their fledgling history and origins but most importantly it was to be about the future where the objectives were to break down the mainstream conditioning of the perceptions of Indigenous Australian cultures by producing a juggarnaut of contemporary and traditional dance - art - music performances that served to irreversibly destroy ignorance.

Francis Rings, Gina Rings, Bernadette Walong and Marilyn Millar - Leichardt 1995

Francis Rings, Gina Rings, Bernadette Walong and Marilyn Millar - Leichardt 1995

Ochres-Yellow-30-9-95.jpg
Gina Rings - for the production ‘Ochres’ 1995

Gina Rings - for the production ‘Ochres’ 1995

Bernadette Walong - for the production ‘Ochres’ 1995

Bernadette Walong - for the production ‘Ochres’ 1995

David Page - Leichardt 1995

David Page - Leichardt 1995

Albert David - rehearsals ‘Black Vine’ Sydney Town Hall 1995

Albert David - rehearsals ‘Black Vine’ Sydney Town Hall 1995

Not long into production of the book the funding grant was removed via government bureaucracies-undeterred we continued to produce work together for the next five years.

Bernadette Walong, Djakapurra Munyarryun, Albert David and Russell Page - La Perouse 1995

Bernadette Walong, Djakapurra Munyarryun, Albert David and Russell Page - La Perouse 1995

Djakapurra Munyarryun - 1995

Djakapurra Munyarryun - 1995

Djakapurra Munyarryun - 1995

Djakapurra Munyarryun - 1995

Djakapurra Munyarryun 1995

Djakapurra Munyarryun 1995

Djkapurra La Perouse I.jpg
Russell Page and Francis Rings ‘Fish’ session 1997

Russell Page and Francis Rings ‘Fish’ session 1997

Russell Page and Francis Rings - ‘The Dreaming’ Grove Farm 1997

Russell Page and Francis Rings - ‘The Dreaming’ Grove Farm 1997

Francis Rings ‘Movement Study’ Grove Farm 1997

Francis Rings ‘Movement Study’ Grove Farm 1997

Janet Munyarryun ‘Fish’ 1997

Janet Munyarryun ‘Fish’ 1997

Francis Rings ‘Dance Clan II’ 1998

Francis Rings ‘Dance Clan II’ 1998

Janet Munyarryun ‘Movement Study’ Dance Clan III 1999

Janet Munyarryun ‘Movement Study’ Dance Clan III 1999

Elma Kris and Russell Page ‘Skin’ session 1999

Elma Kris and Russell Page ‘Skin’ session 1999

Djakapurra Munyarryun ‘Skin’ rehearsals Enmore Theatre 1999

Djakapurra Munyarryun ‘Skin’ rehearsals Enmore Theatre 1999

Archie Roach ‘Skin’ Sydney Opera House 2000

Archie Roach ‘Skin’ Sydney Opera House 2000

‘May Numbakul’ Reach to the stomach of the sky - the earth is the stomach of the sky.

‘May Numbakul’ Reach to the stomach of the sky - the earth is the stomach of the sky.

For Western Man, the destruction of wilderness and the extension of fixed or structured space is the foundation of our time measured civilisation and personal identity. Both wilderness and the unconscious threaten the bases of our sense of self and …

For Western Man, the destruction of wilderness and the extension of fixed or structured space is the foundation of our time measured civilisation and personal identity. Both wilderness and the unconscious threaten the bases of our sense of self and our culture. For Indigenous cultures, the loss of wilderness is not only the loss of identity, but also the loss of contact with the eternal truth and meaning of existence.

Tags: Indigenous Australia, Bernadette Walong, Bangarra Dance Theatre, Performance Artist, Archie Roach
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Pieces Of A Man Statement.jpg

Pieces Of A Man

October 22, 2004

In 1995 I had the pleasure of seeing Gil Scott Heron perform twice. The first being at a WOMAD festival in Adelaide which was also his first ever performance in Australia and then about a week later I saw him perform in my home town of Sydney. Both times I had direct access and remember our conversations well.

We talked of the demise of creole poetry-or ‘rhyming meaning’ and the disturbing direction Hip Hop was taking. His lyrics had carried me for so many years. Meeting him filled me with hope for the future and what I intended to do with my work. These pictures are a constant reminder of fighting for a brighter day.

His humour knew no bounds..when I showed up backstage at the second gig he just smiled and asked me if I was from the C.I.A.

His humour knew no bounds..when I showed up backstage at the second gig he just smiled and asked me if I was from the C.I.A.

It was March 1995

It was March 1995

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Gil Scott Heron Contact Shop File.jpg
‘Pieces of a Man’ Collage on Hardboard with original Polaroid 665 prints

‘Pieces of a Man’ Collage on Hardboard with original Polaroid 665 prints

During his performance at WOMAD I was throwing my polaroid prints onstage as a gift to him. He acknowledeged it with a smile.

During his performance at WOMAD I was throwing my polaroid prints onstage as a gift to him. He acknowledeged it with a smile.

During his scheduled interview at WOMAD

During his scheduled interview at WOMAD

He showed me his current book- Issac Asminov’s ‘Western Mysteries’

He showed me his current book- Issac Asminov’s ‘Western Mysteries’

Thank you Gil

Thank you Gil

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Tags: Gil Scott Heron, Womad, Bathing Whiskey
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